T Thorn Coyle Evolutionary Witchcraft (pdf) Read online

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  T. Thorn covle

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  Copyright © 2004 by T. Thorn Coyle

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  Published simultaneously in Canada

  Library of Congress Cataloging-in-Publication Data

  Coyle, T. Thorn, date.

  Evolutionary witchcraft / T. Thorn Coyle.

  p. em.

  Includes bibliographical references and index.

  ISBN I -58542-347-5

  I. Witchcraft. I. Title

  BFI57l.C69

  2004

  20040480I9

  I33.4'3--dc22

  Printed in the United States of America

  3 5 7 9 IO 8 6 4 2

  This book is printed on acid-free paper. IS

  Book dtsign by Mtighan Cavanaugh

  Inttrior photographs by Mark l.tialoha

  contents

  Acknowledgments

  ix

  The Roots of Bvolutiona.fv witchcfa.ft

  I.

  The sa.cfed sphefe: ca.stincs with Fefi Fife

  15

  <:..

  mvoca.tion: Recocsnizincs the nivine within 43

  3·

  Ba.st: openincs the senses

  75

  4·

  south: Bncsa.csincs the Fla.me

  105

  5·

  .

  .

  .

  .

  west: mvmcs mto compa.ssiOn

  149

  6.

  North: Birthin� our wholeness

  183

  7·

  powers Above: Risin� und oreumin� 201

  8.

  powers Below: Li�htin� the oudmess 229

  g.

  center: openin� the gutes 249

  IO.

  suued sphere: closin� the sphere,

  openin� the world m

  Appendix: Readings and Resources

  289

  Index

  295

  Acknowled
  I am eternally gratefUl to Victor and Cora Anderson for passing this work

  along to us, and to Cora for giving her blessing to this book and my teaching. I

  thank all of my other teachers in both Feri and its offshoot, Reclaiming.

  Thanks to my co-priests and peers, including anaar, Tom, Willow, Oak, Anne,

  and many others, and to all of my students, friends, and supporters-especially

  Dawn, Lilith, and Scott-with whom I have explored this winding road, this

  third way, this path beginning in the middle. Thanks always to Jim for amazing

  support and to Reya for stellar friendship. Thanks to Painted Fan for the dancing and to all who inspire and aid my ongoing spiritual formation.

  I am grateful for my agent, Tom Grady, who loved this project from the getgo. Thanks to editor and fellow seeker Mitch Horowitz, to Joel Fotinos, Ken Siman, Ashley Shelby, and everyone else at Tarcher who worked so hard to put

  this book out. Surf's Up Scribblers-Cynthia, George, Cookie, Mary, and

  Susan-keep writing. Thanks to Valerie for graphics help and Mark and

  Charles for photos. Thanks too, to all the bookstores that keep me well informed and entertained, especially to Alan, Jude, and everyone else at Border- .

  x

  Acknowledcsments

  lands for stalwart support, and to Fields and Stacey's for gladly answering my

  questions and taking my money.

  Feri Tradition has many lineages, each formed by the practitioner or teacher.

  There is no single way, for the road lies deep within us. I hope you find the journey as miraculous as I do.

  In gratitude-T. Thorn Coyle

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  The Roots of

  Bvolutionurv witchcraft

  Po ur some whiskey on holy ground.

  Pull a jew weeds.

  Listen to the m usic of aching love.

  Look at the green in my own front yard.

  Dream. Wilit.

  Sink into the white tub filled with incense and warm water.

  They are comingjor me . . .

  Ridingjast and gathering.

  Cloaks jlyin & they call out my n ame.

  My teacher, Victor Anderson, once told me that the Craft came out of human suffering. My own suffering certainly brought me to Witchcraft and seeking to find the sources of my strength has kept me there. In Witchcraft, I found my place in Nature, and in Nature, I found my connection to all things. In the Feri1 Witchcraft Tradition, I found a way into my own

  11 will use the spelling Ftri when speaking of my tradition as passed through Victor and Cora Anderson. The spelling Fatry is used when speaking of beings from the other realms.

  2

  Evolutiono.cy witchcco.ft

  soul and divinity. As I lay in that white claw-footed tub the day of my Feri

  initiation, I prepared to commit myself further to my own unfolding and

  to take responsibility for my place in the cosmos.

  Witchcraft, one of the fastest growing religions in North America and

  Australia, is coming into great popularity during a time when humans

  need to be responsible, to connect, to find the sacred in our lives right now,

  rather than waiting for a day of transcendence and redemption. In a time

  of global catastrophe and environmental devastation, a religion that firmly

  connects us to the earth is not only understandable but necessary. As Victor said to me in our last conversation before his death, "It is time for people to wake up. You don't play with the fires of creation and get away

  with it:' Feri Tradition contains the tools of our awakening.

  Modern Witchcraft (known popularly as Wicca) was unearthed, recreated or founded-depending upon your opinion-in England in the I 940s by Gerald Gardner. Gardner was heir to ceremonial groups such as

  the Golden Dawn, founded by Moina and MacGregor Mathers, and the

  Ordo Templi Orientis as reformed by Aleister Crowley. Other influences

  included British folk societies, naturist groups, and, to the best of our knowledge, some actual Witches. Striving to connect the individual to the cycle
s of nature, Witchcraft, as passed on by Gardner and his liturgist Doreen

  Valiente, stressed seasonal ritual and a celebration of the Gods of growth

  and sexuality, rather than the Gods of science and industry, and fostered a

  kinship with natural forces, rather than attempting to control them.

  American spiritual practices weaving folk magic, root doctoring, and

  Witchcraft were already in existence at the time that Gardner made his work

  public in the 1950s. And as British historian Ronald Hutton writes, Feri

  Tradition is "one of the home-grown American strains of pagan witchcraft."2 Founded more than fifty-five years ago by Victor and Cora Ander-lRonald Hutton, Triumph if thr Moo11: A History if Modrrn Paga11 Witrhmift (Oxford University Prrss,

  I ')'N).

  The Roots of Bvolutionun; witchcraft

  son, Feri Tradition-though now marked by some influences from British

  Traditional Wicca-has its roots in the Americas. Victor was a rnt>mber of

  the Harpy Coven in Oregon in the I930s, having first been trained in

  magic as a child in New Mexico. Cora's training was in Ozark folk and root

  magic, inherited from her grandfather and strengthened by her own psychic

  skills, connection to the Faery folk, and her innate house-magic ingenuity.

  Like Wicca, Feri Tradition Witchcraft finds connections to the Gods

  and Nature, but its emphasis is placed firmly on the alignment of the individual practitioner's soul, and the growth of her power over time, rather than on seasonal celebration. Feri weaves together strands of other contemporary Witchcraft traditions, Victor's own transmission of unique information, the disciplined practice of ceremonial magic, and the wisdom of magical and indigenous spiritual traditions from all parts of the globe.

  Add a dash of poetry, stir, and you have Feri.

  Though Feri Tradition Witchcraft is not the same as Wicca, some of

  our practices and beliefs do overlap. We all honor the sacred elements and

  recognize the immanent divine that dwells in the earth, stars, plants, and

  in our humanity, if only we can learn to recognize it. But Feri Tradition

  also retains a strong flavor of its own and has tools and concepts that are

  completely unique.

  It is a tradition of varied streams, all of which flow from the practices

  of deep communion and self-examination. An ecstatic tradition, it brings

  the individual into direct contact with the Gods, Nature, and the sel£ This

  contact is often galvanizing, stirring the blood and opening the heart to

  the whispering world. It is a tradition concerned with the development and

  alignment of the human soul. Its tools help us to walk into an expanded

  humanity and an essential divinity. None venture here but the brave-the

  poets, warriors, or healers-for this is a life-changing path of power.

  Feri is what Victor called a "religion of the human race," and it echoes

  the diversity inherent in that statement. Victor felt that the small fey

  peoples were the holders of magic all over the world, from Africa, to Eu-

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  Evolutionary witchcraft

  rope, to Mexico, to the Polynesian islands. Were these ethereal, magical beings that lived in interstices of space and time or were they actual small humans, like the Picts and Aboriginals? Perhaps they were one or the other or perhaps they were both. Thus begins the poetry and paradox of my tradition. Within paradox lies promise: the promise of Feri Tradition is that we, too, can become fey-seekers of magic, holders of mystery, and communicators of the unspoken. Much of the tradition comes from contact with spirit, which gives a freedom to Feri Tradition, a spontaneity and joy

  held in all acts of creation. Human creativity echoes the creative power of

  the Star Goddess, the Mother in whom we have our being.

  Feri myth tells us the story of the Star Goddess catching her reflection

  in the curved black mirror of space. Responding to the beauty of this image, she began to make love to hersel£ From her joy, the Gods were born, and from the joy of the Gods, the worlds were born. The work in this

  book can help us catch sight of ourselves, fall in love, and spiral out into

  our true lives, shimmering with starlight and grounded on the sacred earth.

  We walk into our souls and are changed.

  In Feri Tradition, all are equal before the Gods. Our authority is internal, and gained over time, not bestowed on us from without. Differences can arise through the amount of training and experience one has and in

  each individual priest or priestess's style of working. Differences also come

  &om varying levels of commitment to one's craft, but there is no inherent

  hierarchy among initiates, and students are treated with respect. Though

  an initiate holds greater responsibility, no teacher has greater access to the

  Gods, Guardians, or magic than any student. What matters is integrity and

  openness, not tide or entitlement.

  Feri also has a queer nature. There is a sense of walking the edges and

  in-between spaces, of being all genders and holding all possibilities within

  oneself-one can be human and fey, male and female, fragile soul and divim· essence, all at the same time. In looking upon our multiplicity, we find wholt·ncss.

  The Roots of E:volutiono.fv witchCfa.ft

  These concepts dovetailed into Reclaiming, an offshoot tradition of

  Feri. Founded in the late I970s and early I 980s by a group of dedicated

  activists, including Pagan writer Starhawk, it has been a highly public tradition, doing large, open rituals, teaching, and engaging in civil disobedience as a spiritual act. Reclaiming took the joy and beauty of Feri, and the emphasis on internal authority and cocreation, and wed these with anarchofeminist politics. It strives to marry social justice, environmental activism, and the shared power of magic or, as its mandate says: "to join spirit and politics:'

  My work, Evolutionary Witchcraft, springs from both of these vital

  traditions, with some other spiritual strands woven into the tapestry of my

  teaching. I began to study the Craft at age sixteen, the year I left the

  Catholic Church. This was the year of my first consciously political act,

  spray-painting "Reagan Hates Me" on the window of Republican headquarters in my small Southern California town of Whittier. I also embellished a large portrait of said president with alien antennae.

  Whittier, which had originated as a peaceful Quaker enclave, had become known as the birthplace of Nixon, and I was smack in the middle, between L.A. and Orange County, wishing to be free. I moved to San

  Francisco as soon as I could, and encountered my first Feri teacher there,

  at age eighteen, while desperately searching for something in a musty old occult shop on Divisadero Street. I studied with this student of Victor's for a year, wandered awhile on my own, and then dove into Reclaiming, a natural choice for my magical political soul. The earth was alive, Goddess flowed through all things, and I had to act from this knowledge. I became

  activist, priestess, and eventually, teacher.

  This satisfied me for quite a while. But once I started making deeper

  commitments to my Craft and the tradition, undergoing the Reclaiming

  initiation that gave me my current name, I began to feel that something

  was missing for me. I needed still more depth of commitment to spiritual

  practice and intensive work on self than I was finding among my anarchist

  6

  cuolutionufv witchuuft

  community in Reclaiming. The idea of sharing power was valuable and

  revolutionary, but I sensed that power needed to be reached from a deeper

  level. We cannot
share what we do not truly have and simply saying we have

  it does not make it so. I didn't leave Reclaiming, but I went searching. Revolution had put me on a quest toward evolution.

  I studied with the Mevlevi Sufis for three years, still doing ritual and

  teaching, as I whirled, sweated, and prayed in this holy order founded by the

  mystic poet Jalaludin Rumi. I made peace with my Catholic childhood by

  observing Lent along the way and living in voluntary poverty with a spiritually eclectic Catholic Worker house that ran a soup kitchen. I studied Christianity, Judaism, and Islam. My experience of the Gods and my identity as a Witch were present in the midst of all of this as I searched for a firmer foundation to support my soul's work. I was struggling to grow into

  true responsibility, to be able to respond rather than just doing things out of

  duty. I was teaching in Reclaiming, but in my heart I was also searching for

  something Reclaiming taught against-the perfect teacher, the perfect way.

  While whirling with the dervishes and serving up soup with the

  Catholic Worker, I began to study with Victor Anderson, taking notes during hour-long phone conversations or as he hypnotically worked his rocking chair in his small San Leandro living room and Cora fixed me with her penetrating gaze. Later, when Cora was convalescing from a stroke, I visited Victor weekly, to fix him lunch, study, and work magic. My pen and notebook fell away and the magic washed through me in a rush.

  Physically, Victor was mostly blind, but with brilliant insight, and he

  opened my spirit to the power of Feri Tradition and its tools. Yet he was

  not the perfect teacher I sought. He was powerfUl, funny, and wise, and he

  was also cranky. Still looking, I joined a group that followed the teachings

  of the mystic philosopher G. I. Gurdjieff, already influenced by "the

  Work" as his system is called, through years of reading. I learned much of

  value in my two years' immersion there, including learning that once again,

  I had to leave, though "the Work" would continue to influence me.

  The Roots of Bvolutiona.cv witchcca.ft

  7

  In the midst of these searching years, in February I 996, I received initiation as Priestess and Witch into Feri Tradition itself, passed the power by the Feri initiates in my then coven, Triskets. Feri was tenacious, working in me even as I searched beyond it. Victor and Cora's legacy was holdmg me.